Anderson Cooper on BROADWAY? Yes, its true! He plays the narrator in How to Succeed In Business Without Really Trying currently running at the Al Hirschefeld Theatre. He is not on stage every night, as his part is pre-recorded, but he is still really involved in the project. Check out the behind the scenes video of his recording sessions, thanks to Broadway.com.
"I Believe in You"-song from How to Succeed In Business Without Really Trying
Thursday, April 21, 2011
Sunday, April 17, 2011
Mix Tape
It's Finally Here!!!The 1st Promo Video for BRING IT ON THE MUSICAL!!! I personally can not wait to see this show. It is either going to be AMAZINGLY MIND BLOWING or just suck! The creative team behind the show is just the who's who's of young theatre professionals of today (Alex Lacamoire, Lin-Manuel Miranda, Tom Kitt, Amanda Green). The show will kick off its national tour run in LA at the Ahmanson Theatre this fall, after its world premier in Atlanta ending this past February! Check it out the promo as well as some other views from the creative team and let me know your thoughts!
To learn more about the show click here to go to their official website!
"Mix Tape"-song from Avenue Q
Tuesday, April 5, 2011
Of Course Benjamin Isn't A Savage...Yes He Is
If you are in the Los Angeles area, I would highly suggest that you make plans to attend the Opening Night Standby Line for God of Carnage next Wednesday, April 13th. The performance is at 8pm at the Ahmanson Theatre in Downtown Los Angeles and trust me when I say this an all-star production you do not want to miss! To participate in the standby line for God of Carnage, plan to arrive at the Ahmanson Theatre two hour before show time and join the line to the left of the box office (line gets long so the ealier you get there the better chance you have to get in). The Ahmanson is located at the Music Center at 135 N Grand Avenue. Tickets become available due to cancellations and no-shows (FOR FREE). Seating is not guaranteed, but chances are very good; I have done the line many times and have always gotten in. Remember it is opening night so dress up (there is a dress code). Go to the centertheatregroup.org for more info! "Of Course Benjamin Isn't A Savage.... Yes He Is"-lines from God Of Carnage
Kiss
Matthew Morrison of Broadway and GLEE fame, is in full promo force all to promote his upcoming CD release and U.S./UK Tour! One of my favorite things he is doing in order to connect with his fans is his behind the scenes video's he calls Matthew Monday. These videos are released on his website, youtube, and facebook. If you have yet to catch any of them here are a few a well a the full list of his U.S. tour dates: - June 18 in Minneapolis, MN at Orpheum Theatre
- June 19 in St. Louis, MO at Fabulous Fox Theatre
- June 21 in Rosemont, IL at Rosemont Theatre
- June 22 in Columbus, OH at Palace Theatre
- June 23 in Detroit, MI at Detroit Opera House
- June 27 in Philadelphia, PA at Mann Center for the Performing Arts
- June 28 in Newark, NJ at New Jersey Performing Arts Center
- June 29 in Boston, MA at Citi Performing Arts Center Wang Theatre
- July 1 in New York, NY at Beacon Theatre
- July 2 in Atlantic City, NJ at Caesar's - Circus Maximus
- July 6 in Washington DC at DAR Constitution Hall
- July 7 in Greensboro, NC at War Memorial Auditorium
- July 8 in Duluth, GA at The Arena at Gwinnett Center
- July 10 in Tampa, FL at David A. Straz Jr Center for the Performing Arts
- July 11 in Orlando, FL at Bob Carr Performing Arts Center
- July 13 in Boca Raton, FL at Mizner Park Amphitheatre
- July 14 in Jacksonville, FL at Moran Theater
- July 16 in Grand Prairie, TX at Verizon Theatre at Grand Prairie
- July 17 in Austin, TX at Bass Concert Hall
- July 19 in Phoenix, AZ at Comerica Theatre
- July 20 in San Diego, CA at Humphrey's Concerts by the Bay
- July 23 in Los Angeles, CA at NOKIA Theatre L.A. LIVE
"Kiss"-song performed on GLEE
Sunday, April 3, 2011
Raise Your Glass
WARBLERS GET THERE OWN CD (AKA DARREN CRISS CD) Thats Right GLEEKS, Fox's hit TV Show GLEE will release an all Warblers CD on April 19th. This is also the date that GLEE will make its return to TV from a month hiatus. (GLEE HOW I MISS U!). Here is a list of the tracks: “Teenage Dream”, “Hey Soul Sister”, “Bills, Bills, Bills”, “Silly Love Songs”, “When I Get You Alone”, “Animal”, “Misery”, “Blackbird”, “Candles” , “Raise Your Glass”, “Somewhere Only We Know”, “What Kind Of Fool”, and "Do Ya Think I'm Sexy" "Raise Your Glass"-song featured on GLEE
Monday, March 28, 2011
Go West
"Go West"-song from Pricilla Queen of the Desert
Tuesday, March 22, 2011
Make Me Stronger
Memphis= so/so
So I just got back from a week in New York City! I was a chaperon for my niece's dance team while they traveled to NYC for a dance competition. Usually I head into the town to see as many shows as I can squeeze in but this trip someone else picked the show, Memphis. The dance teams coach chose Memphis for two reasons: 1 it just won the Tony for Best Musical and 2nd one of the dance teams alumni who know lives in NYC suggested it a a must see for the dance numbers alone. I must admit that seeing Memphis was at the bottom of my list of shows to see but I put my feelings aside and went in with as open a mind as I could.
Overall I would have to say "I liked it but I did not LOVE it". The dancing and talent of all the actors on stage was nothing a showcase of Broadway's best and featured name of the original cast members such as Chad Kimball as Huey Calhoun, Montego Glover as Felicia Farrell and Derrick Baskin as Gator. But I had a problem the overall story lacking an connect with the audience. I felt the book was Hairspray for adults but without the happy ending. Don't get me wrong not every story does not have to have a happy ending, come on two of my favorite musicals are Next to Normal, and Spring Awakening (not happy endings). But I left seeing Memphis feeling nothing, no emotional change or enlightenment. I feel a musical happy or sad should leave you with an understanding yourself or new view of the world (whether big or small). When looking back at the 2010 season I do not understand how this show could win Best Musical over the mind-blowing American Idiot (talk about a show that makes you re-think what Broadway is). In the end is Memphis a good night of theatre, yes. Is it a must see of the Great White Way, no.
So I just got back from a week in New York City! I was a chaperon for my niece's dance team while they traveled to NYC for a dance competition. Usually I head into the town to see as many shows as I can squeeze in but this trip someone else picked the show, Memphis. The dance teams coach chose Memphis for two reasons: 1 it just won the Tony for Best Musical and 2nd one of the dance teams alumni who know lives in NYC suggested it a a must see for the dance numbers alone. I must admit that seeing Memphis was at the bottom of my list of shows to see but I put my feelings aside and went in with as open a mind as I could. What is Memphis you ask? Memphis is a musical with music and lyrics by David Bryan, additionally lyrics and book by Joe DiPietro. The story is loosely based on a real life Memphis disc jockey named Dewey Phillips, who was one of the first white DJs to play black music back in the 1950s. Mr. Phillips falls in love with Felicia Farrell an African American Rock and Roll singer and the story falls their roller coaster relationship. It has big dance numbers, soulful gospel numbers, and marvelous costumes and set's that make you feel like your are really in the hear of Memphis.
Overall I would have to say "I liked it but I did not LOVE it". The dancing and talent of all the actors on stage was nothing a showcase of Broadway's best and featured name of the original cast members such as Chad Kimball as Huey Calhoun, Montego Glover as Felicia Farrell and Derrick Baskin as Gator. But I had a problem the overall story lacking an connect with the audience. I felt the book was Hairspray for adults but without the happy ending. Don't get me wrong not every story does not have to have a happy ending, come on two of my favorite musicals are Next to Normal, and Spring Awakening (not happy endings). But I left seeing Memphis feeling nothing, no emotional change or enlightenment. I feel a musical happy or sad should leave you with an understanding yourself or new view of the world (whether big or small). When looking back at the 2010 season I do not understand how this show could win Best Musical over the mind-blowing American Idiot (talk about a show that makes you re-think what Broadway is). In the end is Memphis a good night of theatre, yes. Is it a must see of the Great White Way, no. "Make Me Stronger"-song from Memphis
Saturday, March 12, 2011
Take Me To Heaven
It's about time that Sister Acts the musical comes to the Great White Way!
Sister Act the musical is written by Cheri and Bill Steinkellner, with fantastic lyrics by Glenn Slater and music by Alan Menken. The hit 1992 film was turned into a staged musical for the West End production in 2009 and ran until October 2010. The show actually has roots in So Cal as the 1st production of the piece was performed in 2006 at the Pasadena Playhouse and had a two month run. Whoopi Goldberg who stared in the flim is signed on a producer of the stage show. Check out the video from the rehearsal room of the show set to start preview on March 24th and open April 20th.
"Take Me To Heaven"-song from Sister Act
Sister Act the musical is written by Cheri and Bill Steinkellner, with fantastic lyrics by Glenn Slater and music by Alan Menken. The hit 1992 film was turned into a staged musical for the West End production in 2009 and ran until October 2010. The show actually has roots in So Cal as the 1st production of the piece was performed in 2006 at the Pasadena Playhouse and had a two month run. Whoopi Goldberg who stared in the flim is signed on a producer of the stage show. Check out the video from the rehearsal room of the show set to start preview on March 24th and open April 20th."Take Me To Heaven"-song from Sister Act
Thursday, March 10, 2011
Fly Fly Away
HOW MUCH DO I WANT TO SEE THIS SHOW!!!Based on the 2002 Film, Catch Me If You Can is currently in Previews on Broadway! Set to open on April 10th this show is sure to be a hit. The show had a short run in Seattle in th summer of 2009 and did so well that they took it to Broadway. The show features Aaron Tveit as Frank, Norbert Leo Butz as Carl Hanratty, Tom Wopat as Frank Sr., and Kerry Butler as Brenda. Jack O'Brien and Jerry Mitchell are the director and choreographer of the show; with iconic 60's scenic design by David Rockwell, costume design by William Ivey Long, and lighting design by Kenneth Posner this production is sure to make a splash.
"Fly, Fly, Away"-song from Catch Me If You Can
Monday, March 7, 2011
School for Monsters
AVENUE Q:LOVED IT!
So every time this show rolled into town I have tried to catch a performance but never did. But when the show came into town last week for a short run at the Pantages Theatre in Hollywood, I made sure to finally see it! This show beat out WICKED for the 2003 Tony Award for Best Musical and also picked up Best Book, and Best Original Score! I must say that this play is genius! Who would have thought to take puppet's and put them into adult situations with fun song and Gary Coleman would be a hit on Broadway? Apparently Robert Lopez and Jeff Marx did. The two conceived the show and based the story on their own experiences straight out of college. Lopez and Marx also wrote all the music and lyrics with the hit song such as "It Sucks to Be Me" , “Everyone's a Little Bit Racist”, "The Internet Is for Porn", "You Can Be as Loud as the Hell You Want (When You're Makin' Love)", and "If You Were Gay". Add in the direction of Jason Moore and a laugh out loud book written by Jeff Whitty, the show is a knock out.
At the core of the musical is a charming coming-of-age tale about a group of friends dealing with the anxieties of adulthood. The show, though adult, still plays with references to children's television programs such as PBS's Sesame Street and reinvents how you will ever look at puppets again. I was very impressed with the tour cast members especially Ashley E. Bucknam who payed Kat Monster and Lucy. 1st of all she has an amazing voice and made each character her own all while making you forget that the same actress is playing multiple characters on stage. Overall this play is an A+, Number 1, and all around good night of theatre. SEE IT! Click here to go to the Avenue Q website. "School for Monsters"-song from Avenue Q
So every time this show rolled into town I have tried to catch a performance but never did. But when the show came into town last week for a short run at the Pantages Theatre in Hollywood, I made sure to finally see it! This show beat out WICKED for the 2003 Tony Award for Best Musical and also picked up Best Book, and Best Original Score! I must say that this play is genius! Who would have thought to take puppet's and put them into adult situations with fun song and Gary Coleman would be a hit on Broadway? Apparently Robert Lopez and Jeff Marx did. The two conceived the show and based the story on their own experiences straight out of college. Lopez and Marx also wrote all the music and lyrics with the hit song such as "It Sucks to Be Me" , “Everyone's a Little Bit Racist”, "The Internet Is for Porn", "You Can Be as Loud as the Hell You Want (When You're Makin' Love)", and "If You Were Gay". Add in the direction of Jason Moore and a laugh out loud book written by Jeff Whitty, the show is a knock out.
At the core of the musical is a charming coming-of-age tale about a group of friends dealing with the anxieties of adulthood. The show, though adult, still plays with references to children's television programs such as PBS's Sesame Street and reinvents how you will ever look at puppets again. I was very impressed with the tour cast members especially Ashley E. Bucknam who payed Kat Monster and Lucy. 1st of all she has an amazing voice and made each character her own all while making you forget that the same actress is playing multiple characters on stage. Overall this play is an A+, Number 1, and all around good night of theatre. SEE IT! Click here to go to the Avenue Q website. "School for Monsters"-song from Avenue Q
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